The digicam feel comes from more than a CCD sensor.
A pocket camera from the early 2000s had its own lens, white balance, exposure habits, and JPEG processing. Those choices are part of the CCD-era and Y2K photo aesthetic, too. Digicam Daylight is FilmFX's original interpretation of that bright color: cooler whites, stronger midtone contrast, and a little texture. It does not reproduce a particular camera's sensor or claim to match a Canon, Sony, or Fujifilm model.
Start with daylight that already separates your subject from the background. Blue skies, colorful clothes, shop fronts, and informal portraits give the effect something to work with. Check white shirts and faces at the comparison line, then reduce the strength if they become too stark. This is a color treatment, so it does not downsample your file, place a date stamp on it, or create the lighting of an on-camera flash. For an existing direct-flash photograph, compare the neighboring 90s and disposable-camera looks.

